Inside my skin...

Yesterday I was supposed to go to work and help with a payroll project. I emailed them on Friday and said I would be there. Then I just didn't go. I tried, but I couldn't make myself walk out the door. I haven't gone in four weeks. I've never been like this. When I knew that something important needed to be completed, I was the one who always bent over backwards to do everything I could to make it happen. I don't even feel bad about not going, and I haven't tried to go in today.

I think I've quit caring. I don't like being this way. One one hand, it feels so selfish and just wrong. On the other, I almost feel like I'm rebelling in some strange way, like a little kid who is saying "nah-nah-nah, you can't make me." Ever since I had that meltdown a few weeks ago, I've been getting more and more like this little brat, with an attitude of "don't tell me what to do or I won't do it just for spite."

I've always carried around a lot of guilt because I felt like I wasn't good enough or strong enough (mentally or emotionally). I was even told that I didn't care enough when, in fact, caring too much was what created the problems. I felt a lot of guilt over the last six or seven months when I opted to stay home from work. Guilt for not doing enough for my employers as well as guilt for creating our difficult financial situation at home. I mean, really major guilt trips. Now, I've gradually come to realize I'm not feeling guilty at all. Not about anything.

I'm becoming someone I never thought I could be. I don't think I like me this way.



The image used in this post is from a 2004 exhibition by Elizabeth Ingraham, a faculty member at UNL's Hillestad Textiles Gallery, and is entitled "Guilt." Her exhibition was titled "Information, Memory and Desire: Skins," and the lifesize figures were created from various fabrics and findings. The exhibition annoucement had this to say:

“Through a series of life-size, dimensional female skins, I am exploring how expectation, desire and convention - our own and others - form casings which shape our deepest selves and which become so familiar they seem like our own skin,” Ingraham said.

She likened the skins to costumes and camouflage, saying that they describe emotional states, conceal and reveal identity. The works are tactile as well as visual and are designed to be touched and handled by the viewer - unzipped, unbuttoned, entered, read and rattled."

Read more about her at culturalterrain.com or at monet.unk.net and see more of the "skins"--Duty, Denial, Regret, Baggage, etc.--"...the guises in which women enrobe themselves."